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Tuesday, July 29, 2025

Dayin Zhang: The Legacy of a Great Seal Carving Master

Alright, so I had this thing I needed to do, basically get a stamp, a ‘zhang’, onto a document. Sounds simple, right? Well, let me tell you, it wasn’t as straightforward as I first thought. It always seems like these little tasks end up having their own quirks.

Dayin Zhang: The Legacy of a Great Seal Carving Master

Getting Started with the Stamp

First off, I had to find the actual stamp. I knew I had one somewhere, for these kinds of official-ish papers. Spent a good ten minutes rummaging through my desk drawers. You know how it is, stuff just accumulates. Finally found it tucked away in an old box, looking a bit dusty. Gave it a bit of a wipe.

Then, the ink pad. My old one? Completely dried out. Useless. So, I had to pop out to the local shop to get a new one. The choices were a bit much, honestly. All these different colors and sizes. I just grabbed a standard red one. The guy at the counter was trying to upsell me to some fancy ‘long-lasting, never-fade’ ink. I was like, “Mate, I’m just stamping one paper, not preserving ancient scrolls.” Just give me the basic stuff.

The Actual Stamping Process – Take One… or Five

So, I get back home, feeling all prepared. Laid out the document carefully on the table. Took the stamp, pressed it onto the new ink pad. Made sure it was nicely coated, or so I thought. Lined it up on the paper, took a deep breath, and pressed down.

And what do I get? A big, fat smudge. Ink bleeding out at the edges, and parts of the stamp didn’t even print clearly. It looked awful, like a five-year-old had a go at it. Frustrating, to say the least.

Okay, deep breath. I figured I must have used too much pressure, or maybe too much ink. So, I grabbed a scrap piece of paper to practice.

Dayin Zhang: The Legacy of a Great Seal Carving Master
  • Attempt one on scrap: Still a bit smudgy.
  • Attempt two: Better, but a bit faint on one side. Uneven pressure, I guess.
  • Attempt three: Put less ink on the stamp. Way too light, barely visible.

It was actually becoming a bit of a mission. I started thinking, “How hard can it be to just press a stamp onto paper?” Turns out, there’s a bit of a knack to it. You can’t just slam it down. You need to be firm but gentle, and make sure the pressure is even across the whole stamp.

Finally Getting It Right

After a few more tries on my scrap paper, I started to get the hang of it. I found that dabbing the stamp lightly on the ink pad a couple of times was better than one big press. Then, when putting it on the actual document, a steady, even pressure for a second or two did the trick. Not too hard, not too soft. Goldilocks stamping, you could call it.

So, I took a fresh sheet for the actual document (thankfully I had a spare). Lined it all up again. This time, I was more careful. Inked it just so, positioned it, and pressed. Held it for a moment, then lifted it cleanly.

Success! A nice, clear, crisp impression of the stamp. Exactly where it needed to be. Looked pretty official, I must say. It’s funny how a simple thing like that can feel like a small victory when you’ve fumbled it a few times.

So yeah, that was my adventure in ‘dayin zhang’. A bit more involved than I expected for such a simple task. Just goes to show, even the little things can have their own learning curve. Next time, I’ll remember to practice on scrap paper first, for sure!

Dayin Zhang: The Legacy of a Great Seal Carving Master
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